A Tale Of A Tub

Event Onsite 24 November 2018 from 13:00 to 18:00

Leviathan: Art, Ethics, Schizophrenia & the Marine Environment

Location: HE.RO Art Gallery (Amsterdam)

A Tale of a Tub and HE.RO present an afternoon of screenings, talks and a panel discussion on Saturday 24 November during Amsterdam Art Weekend, from 13h to 18h. ‘Art, Ethics, Schizophrenia & the Marine Environment’ is organized in the context of Shezad Dawood’s ambitious project Leviathan, a ten-part film cycle conceived and directed by the artist, that was inaugurated in Venice in 2017 to coincide with the 57th Art Biennale.

In dialogue with a wide range of marine biologists, oceanographers, political scientists, neurologists and trauma specialists, the Leviathan Cycle explores notions of marine welfare, migration and mental health and their possible interconnections. Leviathan is set in an imaginary future whose inhabitants are the survivors of a cataclysmic solar event. Each of the ten episodes is told from the point of view of a different character and follows them as they drift across Europe, Asia and North Africa, encountering a series of idiosyncratic communities.

Leviathan explores where we could be if a deeper understanding of trauma and climate erosion is not found, leaving us to deal with not only a humanitarian crisis, but a wider crisis affecting our entire biosphere. How do we respond to the key challenges that face us?

Whereas the first three episodes of Leviathan were premiered in Venice last year, episodes 4 and 5 premiere in Amsterdam (at HE.RO) and Rotterdam (at A Tale of a Tub) respectively, during Amsterdam Art Weekend 2018.

In addition to the new video works, Dawood’s solo exhibition at HE.RO features a series of large textiles and a neon work as part of the Leviathan cycle – imagining a dystopian future at the fault lines between marine welfare, mental health and migration.

Episodes 6 to 10 are to be conceived from 2019 onwards. After Amsterdam and Rotterdam, the project continues on a three-year international tour, culminating in a final presentation of all ten episodes in early 2022.

13.00 an introduction to Leviathan by Shezad Dawood and screening of Episodes 1-3.
14.00 presentation by Amira Gad (senior curator at the Serpentine Gallery, London) on art & ethics as well as presentations by marine scientists.
16.00 panel discussion and Q&A moderated by Shezad Dawood.
17.00 drinks, visit the exhibition in the presence of the artist.

The program will soon be updated with more details.

About the artist:
Shezad Dawood (UK, 1974) works across film, painting and sculpture to juxtapose discrete systems of image, language, site and multiple narratives, using the editing process as a method to explore meanings and forms between film and painting. His practice often involves collaboration, working with groups and individuals across different territories to physically and conceptually map far-reaching lines of enquiry. These networks map across different geographic locations and communities and are particularly concerned with acts of translation and restaging. For example, his collaborative film project, Feature (2008), relocated the action of a traditional western to the English countryside, slipping into other sub-genres such as the zombie-flick, and Wagnerian opera (and features cameos from artists Jimmie Durham and David Medalla), as well as South Asian godflick. Another recent video work, Towards the Possible Film (2014), shot on location in Sidi Ifni, Morocco, explores anthropological concepts of indigenousness through the genre of science fiction.

Dawood’s work has been exhibited internationally, including the Fondazione Querini Stampalia, Venice (2017); Museum of Modern Art, New York (2015); Taipei Biennial, Taiwan (2014); Marrakech Biennial, Morocco (2014); MACBA, Barcelona (2014); Witte de With, Centre for Contemporary Art, Rotterdam (2013); Modern Art Oxford (2012); Busan Biennale, South Korea (2010); Tate Britain, London (2009); and the 53rd Venice Biennale, Italy (2009). Most recently, Dawood has held solo exhibitions at Parasol Unit, London (2014); and OCAT Xi’an, China (2014). His feature film Piercing Brightness (2013) was exhibited widely at international festivals, is distributed by Soda Pictures on Blu-ray/DVD and iTunes, and was screened at the Museum of Modern Art, New York.

Shezad Dawood, Murat Reis, 2018. Silkscreen and acrylic paint on Fortuny textile, 198x286 cm, Courtesy HE.RO