A Tale Of A Tub

Exhibition Onsite from 8 September 2017 to 5 November 2017

Delirium & Destiny

Delirium & Destiny is the collaboration of Suzanne Wallinga (co-founder & director A Tale of a Tub) and guest curator Eloise Sweetman that traverses through the Justus van Effen complex in Rotterdam. The efflorescent program engages with the complexity of the surrounding modernist architecture by drawing it together with the work of Maria Zambrano (1904-1991), a Spanish philosopher and political writer. Zambrano employs fictional, autobiographical, and poetic devices in her writing to engage with themes of dreams, time, spirituality, nationality, exile, emotion, and difference. In a time of fear and geopolitical uncertainty—when we are searching for meaning and for ways to actively position ourselves within our complex realities—Zambrano’s work is necessary. Her thinking connects the personal to the political, linking a path of self-development to social and political engagement.

Rather than creating an exhibition that uses Zambrano’s work as a tool or as an illustration, Delirium & Destiny is influenced by a few of Zambrano’s concepts, in particular, the dream and poetic reason. Dreams, Maria Zambrano says, are ‘not the rehearsal of a past we have already lived, […] but an opportunity to fashion the future’. The dream, whether it be in sleep or in hope gives the opportunity for personal development to rise to civic development. Now is the time to ask ourselves: how do we take account of our own aspirations and recount our actions? The position that the program takes is not to present a political exhibition as a result but rather to reflect on our processes that engage politically in everyday life. How do we employ of emotional, aesthetic, and economic labour at the cost of those around us?

Zambrano’s concept ‘poetic reason’ moreover plays a large part in the program draws together the ethics of exhibition making and community engagement. Poetic reason engages with dreams, silence, and spirituality and includes a diversity of thinking. As a result, Delirium & Destiny includes the feminist, the emotional, and the creaturely. Bringing to mind the Australian eco-feminist Val Plumwood who said that there needs to be a convergence of poetry and philosophy to make room for others. These ideas are inclusive allowing for an interchange between people, cultures, languages and it provides a porosity or a fluid transition between apparently fixed binaries. Such a perspective can be turned to the role of art and the nature of exhibitions to give voice and space.

Delirium & Destiny reflects this porosity by inviting artists, poets, and philosophers whose works are often transitory, unstable, and in flux, while connecting to themes of dreams & supernatural phenomena, philosophy & politics, poetics & poetry, narrative & identity, nature & ecology. A Tale of A Tub transforms itself into a place of momentary gathering for talks, collective readings, screenings, and performances, intended to make the interior of the Delirium & Destiny exterior. The program plaits together the different mediums and approaches. Due to the generosity of the Justus van Effencomplex residents, the exhibition continues in the homes of four surrounding apartments. As a whole, the program reflects a multitude of ways of coming together that does not evict one voice, opinion, or perspective, through which the exhibition stays true to the work of Maria Zambrano.

With work by Apichatpong Weerasethakul & Chai Siris, K.r.m. Mooney, Nicoline Timmer, Etel Adnan, Lee Kit, Sofia Caesar, Tamar Guimarães & Kasper Akhøj, Basma Alsharif, Himali Singh Soin & David Soin Tappeser and Mia You, among others.

Delirium & Destiny is supported by the City of Rotterdam, the Mondriaan Fund, the VSB Fund and the H.M.A. Schadee Fund and includes collaborations with the Rotterdam Library and the Society for Women in Philosophy.

Apichatpong Weerasethakul & Chai Siris, Dilbar, 2013, HD video, video still
Apichatpong Weerasethakul & Chai Siris, Dilbar, 2013, installation view A Tale of a Tub. Photo: studio-pw
Himali Singh Soin & David Soin Tappeser, Lapsus Kairos, 2017, opening performance
Lee Kit, I've lost that loving feeling, 2017, installation view A Tale of a Tub, photo: studio-pw
K.r.m. Mooney, Otto Frei, 2014, Oxidized copper ring, silver, benchmate pro jewelers vice, installation view A Tale of a Tub. Courtesy Altman Siegel Gallery. Photo: studio-pw
Tamar Guimarães and Kasper Akhøj, Studies for A Minor History of Trembling Matter, 2017, installation view A Tale of a Tub. Photo: studio-pw
Man under tree_trembling_matter_24_lrs_prores422hq.mov.00_29_19_17.Still075
Tamar Guimarães and Kasper Akhøj, Studies for A Minor History of Trembling Matter, 2017, 31:40, colour, sound, single channel video. Produced with support from the Danish Art Foundation. Courtesy of the artists, Galeria Fortes D'aloia & Gabriel, São Paulo and Ellen de Bruijne Projects, Amsterdam.
Lee Kit, I've lost that loving feeling, 2017, installation view A Tale of a Tub. Photo: studio-pw
Etel Adnan, Trees, 2012, installation view A Tale of a Tub. Courtesy Sfeir-Semler Gallery. Photo: studio-pw
Schermafbeelding 2017-07-19 om 22.19.42
Nicoline Timmer, All the movements of all the bodies, 2017, 8mm transferred to video, video still
Schermafbeelding 2017-07-20 om 12.03.25
Sofia Caesar, I am Welton Santos, 2014-2017, performance