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Susan Hiller, The secret of sunset beach, 1988. Photo: LNDW Studio.
…barely pausing/pausing barely…
March 18 – May 16, 2021
LAËTITIA BADAUT HAUSSMANN
NEÏL BELOUFA
ANSUYA BLOM
ANNA & BERNHARD BLUME
LOUISE BOURGEOIS
ROSEMARIE CASTORO
BRODY CONDON
JASON DODGE
CEAL FLOYER
RYAN GANDER
GERLACH EN KOOP
DAVID HORVITZ
PIERRE HUYGHE
SUSAN HILLER
LI JINGHU
EVA KOŤÁTKOVÁ
JOÃO ONOFRE
JULIEN PRÉVIEUX
RACHEL ROSE
NORA TURATO
curated by CHRISTINA LI
The exhibition …barely pausing/pausing barely… marks the first edition of an annual collaboration between A Tale of A Tub and Tlön Projects and presents a variety of artworks selected from the imaginary collection of Tlön Projects. This imaginary collection is formed by the convergence of selected artworks from various international private art collections, whereby Tlön Projects aims to generate access to artworks which otherwise would have been largely shielded from public access.
In …barely pausing/pausing barely… the volatile state of stasis, on a physical, personal and societal level—produced by opposing modes of hyperactivity and inertia—is taken as a starting point to discern the tireless and profound influence of capitalism in which we are all caught in. The assortment of artworks and experiences in this exhibition has been selected to occupy a liminal interstice, a space that calls the all-encompassing logic of capitalist power into question. The artworks serve to unravel the ways in which technological flows and processes have transformed our lived experience into economic abstractions.
The collection of works is shown against the historical backdrop of the former function of the exhibition space as a public bath and wash house—which served as a site for domestic labour, physical cleansing and recovery. A number of artworks trace the phantasmic presence of entangled bodies and environments that are incompatible with the conventional understanding of time and space, while other works alienate and fragment our understanding of subjectivity and personhood through unexpected utterances and movements. The exhibited inventory of acts, gestures and activities are simultaneously done and undone, and even in their unvarying repetitions may hold a potential break with the cyclical trap of work, life and rest in a time bound by management and self-discipline.
Support
…barely pausing/pausing barely… is supported by the Municipality of Rotterdam and the Mondriaan Fund, and is developed in close collaboration with Tlön Projects.
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Susan Hiller, The secret of sunset beach, 1988, and Brody Condon, Without Sun, 2008. Photo: LNDW Studio.
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Ceal Floyer, Taking a Line for a Walk, 2008. Photo: LNDW Studio.
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Jason Dodge, Poison hemlock in bass flute, 2011. Photo: LNDW Studio.
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Rosemarie Castoro, Untitled (Concrete Poetry), 1969. Photo: LNDW Studio.
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Laëtitia Badaut Haussmann, L’Amour est plus froid que la mort #2, 2015. Photo: LNDW Studio.
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Rosemarie Castoro, Vacation Time February 16, 1970 through February 20, 1970 (stopwatch), 1970. Photo: LNDW Studio.
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Eva Kot’átková, Untitled, from the series Not How People Move But What Moves Them, 2014. Photo: LNDW Studio.
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Anna & Berhard Blume, Küchenkoller, 1986. Photo: LNDW Studio.
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Ceal Floyer, Taking a Line for a Walk, 2008. Photo: LNDW Studio.
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Eva Kot’átková, Untitled, from the series Not How People Move But What Moves Them, 2014. Photo: LNDW Studio.
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Nora Turato, where what happened to people happened in the head, 2018. Photo: LNDW Studio.
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Louise Bourgeois, I Have Been to Hell and Back, 2007 (left), Be Calm (right), 2007. Photo: LNDW Studio.
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Rachel Rose, Sitting Feeding Sleeping, 2013. Photo: LNDW Studio.
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Ryan Gander, Evidence of Absence, 2019. Photo: LNDW Studio.
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Neïl Beloufa, Untitled, 2013. Photo: LNDW Studio.
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David Horvitz, Nautical Dusk (II), 2017. Photo: LNDW Studio.
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David Horvitz, Nautical Dusk (II), 2017, and João Onofre, Promise of a Sculpture, 2012. Photo: LNDW Studio.
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gerlach en koop, (at last) under the influence of that strange perplexity of inert irresolution, 2009–2011. Photo: LNDW Studio.
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Li Jinghu, Waterfall, 2015. Photo: LNDW Studio.
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Julien Prévieux, What Shall We Do Next? (Sequence #2), 2014. Photo: LNDW Studio.
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Pierre Huyghe, L’Écrivain public, 1995. Photo: Niekolaas Johannes Lekkerkerk.